Two graffiti artists break into an abandoned, reportedly haunted research facility in hopes of creating an art installation, but stumble upon a secret team of demented researchers who are in the process of resurrecting an ancient sea creature - who they now must fight in order to escape alive.

For the first time in 15 years, all four siblings in a family show up to care for their dying mother, who is only given a couple of weeks to live. One comes from America with her two children. A divorced sister also comes with her child and sneaks off regularly to meet a mystery man who may be her ex-husband. The third & youngest daughter is an unmarried nurse aware of her ticking biological clock. The only son chases after his grumpy father who seems to not care a whit about his wife's circumstances. The four are also faced my their mother's dreams to accomplish a few things before she dies - to visit a beach she had visited in the past, to see her youngest married, and to visit Paris. She also wants to be embalmed and be honored with a 21 gun salute. Thus the whole group has to set off in the quest to fulfill their mother's wishes.

On a bus late at night, two women’s paths collide, revealing unexpected echoes in their individual struggles to reclaim their bodies. Exploring the nuances of motherhood and sexual assault, Soft Animal questions how we find our way back to ourselves in the aftermath.

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Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

Comedy mockumentary following the independent cross-border body as they deal with bodies crossing the border, be they human, animal or fish.

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The young director tries to make a movie, following the script of the venerable playwright as much as possible.

At the end of the 20th century, the son of a distinguished family, Sosiko Cholokashvili, became interested in cinematography, a field unknown to the public. Despite his inexperience, financial difficulties, and disappointment, one of the first enthusiasts of Georgian cinema recorded many shots depicting the appearance and existence of old Tbilisi on tape.

A man prepares an old ritual in a temple abandoned by its followers.